Works for exhibition

Gallery Kranjčar, Zagreb
13/11/2025 - 23/11/2025

Parade, 2025
Oil on canvas, 101 x 152 cm
Marches, parades, protests: sites where the mass absorbs the individual, where thought dissolves into collective rhythm. Humans in search of meaning, virtue and belonging.
Participants describe these gatherings as spaces of ‘education,’ yet they function less as classrooms than as theatres of emotion.

Parade, 2025
Works in aluminium. Lost wax technique

Some prefer death, 2025
Cast in bronze and aluminium currently. Lost wax technique. Coin sized dimensions, 24 coins silver and gold patina

The aurochs (Bos primigenius) has long been a part of human culture, mythology, and use. From cave paintings to Mesopotamian and Norse myths, it carried symbolic weight before being reduced to a resource, and hunted to extinction in 1627.
In the 1930s, Nazi zoologist Lutz Heck attempted to “resurrect” the species through selective breeding, producing the Heck cattle that resembled the aurochs only superficially. Its real role was political fiction.
“Some prefer death” places the aurochs on coins, echoing ancient currency. Once a sacred figure, it becomes a token of exchange. Revered in image yet diminished in use, its likeness circulating in the very medium that enabled its exploitation and disappearance.

Puppets, 2024-2025
Oil on canvas, 122 x 91 cm

Mirror, 2024
Acrylic paint, gesso, thread, oil pastel and oil on canvas
140 x 110 cm
Beast emerges from the uncanny valley, where that which is different causes discomfort and fear. It exists in a paradox of safety - seeking self-preservation and as a result encountering loneliness.

Untitled (working title), 2024
Acrylic, oil pastel and oil on canvas
170 x 150 cm

Deadlock, 2023
Acrylic and oil pastel on canvas
55 x 45.5 cm

Untitled (working title), 2025
Oil pastel and oil on canvas
41 x 41 cm

Parade (pink), 2025
Oil on canvas
48 x 48 cm

Beautiful Host, 2025
Oil on canvas
48 x 48 cm

Untitled (working title), 2025
Oil on canvas
40 x 30 cm

Untitled (working title), 2025
Oil on canvas
52 x 40 cm

Untitled (working title), 2025
Oil on canvas
130 x 109 cm

Untitled (working title), 2025
Oil on canvas
130 x 109 cm

Untitled (working title), 2025
Aluminium sculptures and oil on canvas

Piddocks, marine bivalves, bore into soft rock, enlarging their cavities as they grow. When they die, only a hole remains. These voids mirror how ideologies carve into the psyche, destroying individual thought. In folklore, such openings are portals: witches’ holes said to reveal the spirit world. The hole becomes a symbol of the human need for truth beyond illusion.

Sketches for sculptures (selected), 2024 -2025
Aquarelle on paper
21 x 15 cm

Sketches for sculptures (selected), 2024 -2025
Aquarelle and oil pastel on paper
29 x 21 cm

Untitled (selected works, beast series), 2024
Aquarelle on paper
Varied dimensions

Untitled (selected works), 2025
Aquarelle on paper
14.5 x 10 cm

Parade - video work in progress, 2025

Sketches for new works, 2025
1 Red Cluster - 1.5 m sculpture of multiple Beast heads, work on paper and cotton head as an example, could be create out of metal sheets?
2 Legion - 2m concrete and iron sculpture to be exhibited in front of gallery, work based on 3D model below
"My name is Legion, for we are many", quote from the New Testament (Mark 5:9)
3 Performance based on Double Headed Beast?
4 Curator and artist talk in the gallery - I have a documentary filmmaker in Zagreb for this